"I don't know how to talk about art. I don't know much about it. My job is to make 'em laugh. When they laugh I know it's going." - Bert Williams
Bert Williams was simple and kind; many liked him. He was also one of the best comedians of his time. “The funniest man I ever saw,” one fellow comedian described Bert.
Born in Nassau, The Bahamas, in 1874, Bert moved to Florida with his family at eleven and San Francisco a year later, where they settled. After high school, he went to college at Stanford, where he studied engineering. However, needing to support himself financially and having a gift for imitation and "a splendid singing voice," Bert began performing in minstrel shows to earn funds. This would mark the beginning of a lifetime in show business.
Pairing up with a fellow performer, the troupe sang and danced, performed skits, and exchanged comedic dialogue. They slowly grew in stature, until coming into much fame with their musical, In Dahomey, in 1902. The popular show also took them abroad for a performance in Buckingham Palace.
The pair worked together until 1911 when Bert’s partner passed away. At that point, Bert joined a production company.
While Bert made others laugh, he coped with much pain. He dealt with significant racism, often having to find his own accommodations, eating alone, taking backroom elevators, and though being black, having to perform in blackface. Remarking about a time when fellow performers went on strike, he said. “I went to the theatre as usual, made-up and dressed. Then I came out of my dressing room and found the stage deserted and dark, the big auditorium empty and the strike on. I knew nothing of it: I had not been told. You see, I just didn't belong. So then I went back to my dressing room, washed up, dressed up, and went on the roof. It all seemed like a nightmare.”
Through the racism, the frustrations, Bert continued to perform, always doing his best to please a crowd and support the show organizers. His last performance came during a time of illness. Feeling so weak that he needed help to dress, Bert still went out for his role. He collapsed during his performance and soon after passed away at the age of forty-seven.
Sources:
Bert Williams, The comic side of trouble, January 1918, American Magazine 85, 33-34, 58-60. Quoted in From traveling show to vaudeville: theatrical spectacle in America, 1830-1910, 2003, Robert M. Lewis, JHU Press, ISBN 0801870879
"Egbert 'Bert' Williams." Let It Resound, https://web.archive.org/web/20080829221916/http://beinecke.library.yale.edu/LetItResound/art_rmt_williams_b.html
Hill, Errol, and Hatch, James V.. A history of African American theatre. United Kingdom, Cambridge University Press, 2003.
J. B. “Bert Williams.” The Soil, vol. 1, no. 1, 1916, pp. 19–23. JSTOR, https://doi.org/10.2307/20542241. Accessed 27 Mar. 2024.
Schomburg Center for Research in Black Culture, Photographs and Prints Division, The New York Public Library. "Bert Williams" The New York Public Library Digital Collections. 1910. https://digitalcollections.nypl.org/items/510d47df-8843-a3d9-e040-e00a18064a99
Spinks, William C. “Bert Williams: Brokenhearted Comedian.” Phylon (1940-1956), vol. 11, no. 1, 1950, pp. 59–65. JSTOR, https://doi.org/10.2307/271860. Accessed 27 Mar. 2024.